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Dieses Buch untersucht, wie und unter welchen Bedingungen die 'Fremde' zunächst in einer konkreten Begegnung erfahren und anschließend schreibend und lesend konstruiert, also in Texten verfügbar gemacht und im Rezeptionsprozess erneut hergestellt wird. Dabei werden auch Fragen nach den Bedingungen, Spielräumen und Grenzen des Fremdverstehens reflektiert. Im Mittelpunkt der Untersuchung stehen exemplarisch deutschsprachige Texte über Japan, u. a. von Bernhard Kellermann, Max Dauthendey und Gerhard Roth. Herausgearbeitet und analysiert werden auf inhaltlicher, sprachlicher und formaler Ebene insbesondere die Strukturen und Tradierungen sowie die Musterbildungen, in denen sich die Konstruktionen der 'Fremde Japan' vollziehen. Einen ersten Schwerpunkt der Untersuchung bilden die japanbezogenen Werke Bernhard Kellermanns. Anhand der Textsorte Brief wird dann eine spezifische Form des Schreibens aus und über Japan genauer fokussiert. Die Untersuchung der Komponenten 'Lesen' und 'Schrift' als inhaltliche Elemente der Texte zeigt abschließend, inwiefern 'Lesen' als Metaphernkomplex und als Wahrnehmungshaltung die Grundfigur der Fremdbegegnung bildet, und wie die 'fremde Schrift' als 'unlesbar' konstruiert und funktionalisiert wird.

Alienation (Social psychology) in literature. --- German literature --- Germans --- History and criticism --- History and criticism. --- Kellermann, Bernhard, --- Criticism and interpretation. --- Japan --- In literature. --- Kellerman, Berngard, --- Kellermann, B. --- Kellermans, Bernhards, --- קלרמן, ב., --- קעללערמאן, בערנהארד, --- קעלערמאן, ב. --- קעלערמאן, ב., --- Ethnology --- Young Germany --- Cultural relations/Germany - Japan. --- foreignness. --- image of Japan. --- intercultural communication.

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Hoe echt is de historische roman? In hoeverre geeft hij een beeld van het verleden? Kan dat wel in een fictionele tekst? Wat is trouwens ‘een beeld’ van het verleden? In welk verleden speelt de historische roman? Kunnen romangenres wel relevant van elkaar worden gescheiden? En die postmoderniteit, hoe zit die in de historische roman? Dit is een handboek-bij-uitstek voor al wie écht kennis wil maken met het genre historische roman, in zijn caleidoscopische verscheidenheid, voor wie wil weten wat –zin en onzin- commentatoren en critici hebben gezegd en voor wie een eigen geluid wil horen. Uiteraard is dit ook en aangewezen naslagwerk voor wie informatie wenst over een van de behandelde romans of de daarin optredende historische figuren.

Literary semiotics --- Geschiedenis in de literatuur --- Histoire dans la littérature --- History in literature --- Letterkunde --- Littérature --- Historical fiction --- History in literature. --- History and criticism --- Theory, etc. --- History and criticism. --- 82-31 --- 82.091 --- 82:93 --- historische romans --- 829.19 --- Historical novels --- History --- Fiction --- Roman --- Vergelijkende literatuurstudie --- Literatuur en geschiedenis --- literaire genres - albumversjes, historische verhalen, westerns, zeeverhalen ... --- Theses --- 82:93 Literatuur en geschiedenis --- 82.091 Vergelijkende literatuurstudie --- 82-31 Roman --- History and criticism&delete& --- Theory, etc --- literaire genres - albumversjes, historische verhalen, westerns, zeeverhalen .. --- literaire genres - albumversjes, historische verhalen, westerns, zeeverhalen . --- literaire genres - albumversjes, historische verhalen, westerns, zeeverhalen --- Roman historique --- Histoire --- Histoire et critique --- Dans la littérature

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Against the long-standing and prevalent belief that Mesopotamian Flood traditions came from very early time in Mesopotamian cultural history, this book argues that the traditions emerged relatively late in Sumerian traditions. Through a systematic examination of the relevant cuneiform sources Y.S. Chen charts the evolution of the Flood traditions.

Inondations --- Déluge --- Literatur --- Sintflut --- Dans la littérature --- Mesopotamien --- Civilization, Assyro-Babylonian. --- 299.218 --- 299.219 --- Mythology, Assyro-Babylonian. --- Assyro-Babylonian mythology --- Babylonian mythology --- Mythology, Babylonian --- Assyro-Babylonian civilization --- Babylonian civilization --- Civilization, Babylonian --- Godsdiensten van Mesopotamië: Protochaldeeërs; Akkadiërs; Sumeriërs--(oorspronkelijke bewoners) --- Godsdiensten van Babyloniërs en Assyriërs --- Iraq --- Civilization --- Deluge --- Deluge in literature. --- Floods in literature. --- Sumerian literature --- Cuneiform inscriptions, Sumerian. --- Assyro-Babylonian literature --- Mythology, Sumerian. --- Assyro-Babylonian religion. --- History and criticism. --- 299.219 Godsdiensten van Babyloniërs en Assyriërs --- 299.218 Godsdiensten van Mesopotamië: Protochaldeeërs; Akkadiërs; Sumeriërs--(oorspronkelijke bewoners) --- Mesopotamien. --- Dans la littérature. --- Literatur. --- Civilization, Assyro-Babylonian --- Mythology, Assyro-Babylonian --- Sintflut.

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"Authors not only create artworks. In the process of creating, they simultaneously bring to life their author personae. Approaching this phenomenon from an interdisciplinary point of view, Sonja Longolius develops a concept of 'performative authorship' by examining different strategies of becoming an author. In regard to the notion of her concept, this work offers a critical and comparative analysis of the works of Paul Auster, Candice Breitz, Sophie Calle, and Jonathan Safran Foer. Specifically, Auster/Calle and Breitz/Foer form a generational pair of opposites, enabling a discussion of postmodern and post-postmodern artistic strategies of 'performative authorship'."--Publisher description.

American Art. --- American Studies. --- Art History of the 20th Century. --- Art. --- Cultural Studies. --- Fine Arts. --- Literary Studies. --- Literature. --- Performance Studies. --- Autorschaft --- LITERARY CRITICISM / American / General. --- Verfasserschaft --- Verfasserschaftsfrage --- Verfasserfrage --- Unechtes Werk --- Zuschreibung --- Auster, Paul, --- Calle, Sophie --- Ḳal, Sofi --- קאל, סופי --- Auster, Paul --- Auster, P. --- Criticism and interpretation. --- Authorship in literature. --- Authorship. --- Performative (Philosophy) --- Performativity (Philosophy) --- Language and languages --- Methodology --- Philosophy --- Semantics (Philosophy) --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Foer, Jonathan Safran, --- Breitz, Candice --- Фоер, Джонатан Сафран, --- ספרן פויר, ג׳ונתן --- פויר, ג'ונתן ספרן, --- Safran Foer, Jonathan, --- אוסטר, פול, --- 奥斯特, --- Benjamin, Paul, --- Authorship in literature --- Authorship --- Authorship; Art; Literature; Performance Studies; Cultural Studies; Literary Studies; American Studies; Art History of the 20th Century; American Art; Fine Arts --- Фоер, Джонатан Сафран

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This study describes in detail the development of Coleridge's attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge's search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge's major poems like 'The Ancient Mariner' and 'Dejection: an Ode', and tries to rehabilitate some minor ones, like 'The Picture'. Attention is also paid to his relation with Wordsworth. It discusses in detai

Nature in literature. --- Philosophy of nature. --- Romanticism --- Coleridge, Samuel Taylor, --- Criticism and interpretation. --- Poetry --- English literature --- Thematology --- Coleridge, Samuel Taylor --- Natuur / in de Engelse letterkunde. 18e eeuw. --- Engelse romantische letterkunde. --- Romantisme. Engeland. --- Natuurfilosofie. 17e-18e eeuw. --- Coleridge (Samuel Taylor). --- Romantisme. Angleterre. --- Littérature romantique anglaise. --- Nature / dans la littérature anglaise. 18e s. --- Nature. Philosophie. 17e-18e s. --- Nature --- Nature, Philosophy of --- Natural theology --- Nature in poetry --- Philosophy --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט.,